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This Is Where the Fantasy Begins
Terry Horstman
Terry Horstman tips off This Is Where the Fantasy Begins with the whirr, click, and the faint swish of a dusty VHS copy of Zack Snyder’s Michael Jordan’s Playground. Full of tangential analysis of Michael Jordan’s mythology, the game of basketball itself, and the film that started it all for Horstman, This Is Where the Fantasy Begins is a blend of memoir and sports writing. Horstman takes readers through the rules of the game and the nostalgia of the Jordan era.
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More than what you say: Nonverbal communication in the 21st century
Stephanie Montgomery
Nonverbal communication is a distinct form of communication, transcending the spoken word. It is communication through our gestures, eye behavior, vocalics, and body language. Nonverbal communication is often misinterpreted, though, because accurate interpretation depends on a variety of skills. This is not an easy or natural ability. However, with education, awareness, and training, errors can be minimized.
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Never Gonna Change? AN EXAMINATION OF THE 1901 ALABAMA CONSTITUTION
Alexander Aguado
In stark contrast to the U.S. Constitution, which has become a more democratic document since 1865, Alabama’s 1901 Constitution was designed in response to the nation’s broader democratic aspirations. Though the Alabama Constitution was recompiled in 2022, its spirit continues. Never Gonna Change examines the legacy of the 1901 Constitution and its effects on public policy, people, political culture, and democracy. This collection has chapters that reflect on the factors that influence policy change in the Deep South and the likelihood of constitutional reform; The perseverance of inadequate education funding as a structural feature; The contemporary possibility of change through litigation; The consequences of Alabama tax policy and how it is embedded in the 1901 Constitution; The capacity for a more humane and just prison system; And the role that the Constitution has played in undermining democracy in Alabama.
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My X's
Alina Stefanescu
In My X’s, Alina Stefanescu interviews herself to ask burning questions concerning her upbringing and memory to investigate how her family’s time in Romania during the height of communism affected her relationships with family, culture, and art. Her use of media objects, ranging from music to photos and film stills, immerses readers into the world that developed the character we know as Alina Stefanescu.
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